Kansuke Yamamoto, 1956
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Love doesn’t just sit there, like a stone, it has to be made, like bread; remade all the time, made new.
—ursula k. le guin
Gjon Mili, Jascha Heifetz in Mili’s darkened Studio as Light attached to his Bow Traces the Bow Movement, New York, 1952
me: wants to play multiple instruments, create art, speak multiple languages, etc.
me: lays on the floor face down for an hour instead
